Weekly Recommendation: Mellon Collie and the Infinite Sadness + Tonight, Tonight – Smashing Pumpkins

This week I’m giving out a double recommendation (sort of)! I’m talking about the first two songs off of Smashing Pumpkins magnum opusĀ Mellon Collie and the Infinite Sadness. Taken together, these two songs make up possibly my favorite intro to an album ever. The first song, titled Mellon Collie and the Infinite Sadness, is a melodic piano piece that begins the album on a serene, beautiful, and sleep-inducing (in a good way) note. This segues into the second song (Tonight, Tonight), which picks up where the melody left off, adding the full band of guitars, bass, and drums, along with a powerful barrage of violins. These two songs are the perfect example of music being able to bring out deep emotions without needing words (although Tonight, Tonight, does have lyrics in it, the song would still be beautiful without them).

Mellon Collie and the Infinite SadnessĀ is a very long album. It reaches over two hours long even on the shortest editions of it. It is an album that presents an epic journey and to start a journey like this you have to begin with something powerful, something that will make you want to listen for two hours. It is not an easy task. In my opinion, these first two songs make up the best part of the whole journey. The 2 1/2 minute title track intro is one of the most beautiful pieces of music I’ve ever heard. Needing no lyrics, or vocals at all for that matter, it evokes a feeling of longing, nostalgia, and peace. It may seem like a slow way to begin an album but it makes perfect sense when you hear the song that follows it up.

Tonight, Tonight was one of the many singles released in support of this album, and for good reason. This second song begins right where the first left off. The piano cuts out and the band and orchestra enter in full force. The different instruments seem to swirl around each other throughout the song, playing off of each other magnificently, but the true hero of this song is the orchestra, All throughout the song they provide a counter-melody to the vocals, often being so grand as to overtake the emotion in Billy Corgan’s voice. I’ve used the word “beautiful” too many times already but I’ll say it again because it’s the most accurate word. This song is truly beautiful.

While Corgan has never been known as a vocal virtuoso, his vocal performance on this song leaves a deep impression. The lyrics speak of an abusive childhood that he had to endure and the song is his older self telling him to believe in himself, knowing that he can make it through so he can live out the “indescribable moments of your life.” It’s an inspiring song, especially to those who suffer from a deep unhappiness or suffering. It is a song about holding onto what you love most and allowing yourself to persevere through the pain. Billy Corgan sells these emotions so well in his performance.

To open an album as epic as this, something powerful was needed, and these two songs make this the most emotionally powerful intro to an album I have ever heard. It is so good, in fact, that the rest of the album is spent trying to reach this level of power for almost 2 hours. Some would argue that there are better songs on the album, but none of them left their mark on me as much as this did. This is my go-to album when I lay down in bed to sleep. These two songs are calming, yet exhilarating in a way that is very rarely heard in music. These two songs, on their own, sparked my interest in Smashing Pumpkins and Billy Corgan’s genius.

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